He graduated at the Accademia Belle Arti of Carrara and worked then in various institutional art studios in Pietrasanta where he mastered his techniques of carving marble, especially monumental pieces and eventually created his own studio to make his own pieces. His sculptures are now part of public and private collections in the major cultural capital around the globe such as Paris, London, Rome, Amsterdam, Hong-Kong, Dubai…
The World is energy, Life is energy, and so is Art.
I create sculpture to generate good energy in your daily life, either in a public space or in your intimate sphere. I often compare my works with classical music. The perception of Abstract Art is subtile, they are movements and feelings, like a sonata, a menuetto or a symphony, simple and complex at the same time. Art is an open source of energy, you simply connect with the piece and get your charge, take your time...
My inspiration comes from nature, life, movements and energy, observing people and animals, dancing, running, fighting and making love... it’s pure, dynamic and strong. Combining all this natural elements into forms, I create a subtile balance between the positivity and the negativity, a circle of energy, contrasting the beauty of life on earth harmoniously with the destruction and sadness of some part of the world.
After all, I make sculpture to give a message of hope and positivity today, creating a better tomorrow…
SYLVESTRE - 2017
In our times the challenge is also represented by the great technical possibilities, which are offered to sculpture. The intuition and the initial idea can be carried on with the 3D drawing and print; to help in the further passages there are machineries and robots. It is outlined on the horizon a ‘Cyber-classicism’, where the forms of nature identify their mathematical nature in perfect and wonderful algorithms and hyperbolic paraboloids. Who will be the Polyclitus able to sculpt the “canon” of the III millennium? What is certain is that, on the following day of its creation, that perfect sculpture will entice its author to change the rules, to find new balances, to look for new ways.
Rome, February 2014